A tremendous feature debut from actor turned writer and director Kasi Lemmons. The mood here is slow and sombre, perfectly evoking the sense of an endless, oppressive summer, which feels conjured from a half-remembered childhood, where parental disillusionment and the shadow of death have become distorted by superstition and the supernatural. One of the key films about the home, about family, and about how the foundations of both can be rocked by circumstances. The scene where Debi Morgan’s character re-lives the murder of her first husband as it plays out in the reflection of a mirror, then turns, physically entering the memory itself, is Tarkovsky-level directing. Morgan throughout is incredible and imbues the moments of the supernatural with a genuine emotional plausibility.
Schalcken the Painter (1979)
Schalcken the Painter [Schalcken the Painter [Leslie Megahey, 1979]: This is a film I first saw around four years ago. At the time I found...
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In an earlier post regarding the DVD release of the Mike Leigh at the BBC box-set, I described this particular film, Nuts in May (first broa...
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In discussing the brief snippet from the ever contentious Uwe Boll's no-doubt harrowing new film Auschwitz (2011) - particularly the way...
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Beginning with a vague preamble on the use of digital video in achieving that contrast between the abstract and the real... One of the mos...