A tremendous feature debut from actor turned writer and director Kasi Lemmons. The mood here is slow and sombre, perfectly evoking the sense of an endless, oppressive summer, which feels conjured from a half-remembered childhood, where parental disillusionment and the shadow of death have become distorted by superstition and the supernatural. One of the key films about the home, about family, and about how the foundations of both can be rocked by circumstances. The scene where Debi Morgan’s character re-lives the murder of her first husband as it plays out in the reflection of a mirror, then turns, physically entering the memory itself, is Tarkovsky-level directing. Morgan throughout is incredible and imbues the moments of the supernatural with a genuine emotional plausibility.
Tuesday 8 November 2022
Eve's Bayou
Eve's Bayou [Kasi Lemmons, 1997]: A tremendous feature debut from actor turned writer and director Kasi Lemmons. The mood here is slow a...
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In discussing the brief snippet from the ever contentious Uwe Boll's no-doubt harrowing new film Auschwitz (2011) - particularly the way...
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A short note on several films by Eric Rohmer I'm not entirely sure if this blog post constitutes a 'return' in the perman...
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Projections on the (unmade) film by Russell Mulcahy It's one of the most curious 'what if's in pop cinema history. Russell...