A song about embracing the new - about the restless pursuit of the next great adventure - presented with a visual accompaniment that achieves the expression of the unbelievable, the astounding, or the thrill of the unknown. Wanderlust, in its purest form, is an adventure in eight-minutes; a breathless, exhausting trek down river, where the forward motion of this character is matched by the driving rhythms of the music itself. Kraftwerk-like rhythms that recall something like Trans-Europe-Express (1977); where the sense of movement, atmosphere and place is the thing that draws us in, maintains our interest throughout the duration of this narrative (aural, visual or imaginary), and leaves us hopelessly searching for that next rush of discovery when the song comes to an inevitable close.
The particular yearning for a new place or the need to travel, explore and do other things is largely a metaphor for Björk's career as a whole. In this sense, the video could be seen as a dramatised fantasy version of her own life and vocation; beginning with this small, exotic figure discovering something extraordinary that comes from her own connection with nature; a connection that will grow and transform into an uncontrollable entity, forcing her to leave the security of home and taking her on this remarkable journey - where she is carried along through uncertain waters by the support of others, where she fights a battle with herself, where she is plagued by various obstacles that attempt to harm and hinder - before eventually making the ultimate plunge into the unfamiliar; into the great unknown.
This beautifully made clip is everything a film like Avatar (2009) promised to deliver, but couldn't; a fully immersive 3D experience, which - through the sheer power of its imagery and imagination - transports us to another world.
Schalcken the Painter (1979)
Schalcken the Painter [Schalcken the Painter [Leslie Megahey, 1979]: This is a film I first saw around four years ago. At the time I found...
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In an earlier post regarding the DVD release of the Mike Leigh at the BBC box-set, I described this particular film, Nuts in May (first broa...
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In discussing the brief snippet from the ever contentious Uwe Boll's no-doubt harrowing new film Auschwitz (2011) - particularly the way...
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Beginning with a vague preamble on the use of digital video in achieving that contrast between the abstract and the real... One of the mos...